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This 12 bar boogie starts with a C7 and the walkin´boogie
bassline R played in the Mixolydian scale. Backcykling an´a
ii-V7 inthe end of the turnaround. The 12 bar progression
is reharmonized by a theoretical technique called
Modal Interchange, MI. So it sounds a bit more serius and
darker than a major blues, wich it is. I choosed to play the
lead in E Phrygian scale for getting a little sader bluesier
touch. And itfits/sounds better to the reharmonized boogie
too.
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